ISSN 2768-4261 (Online)
Atal Pamo
The marigolds bloomed
for me to put in your hair
for you to shy away from the attention
The marigolds will bloom next year
for you to put in your hair
for me to witness you
for you to feel beautiful
The marigolds will bloom
and so would you
I
My Aae is aware of her beautiful features
she grooms herself every morning even before the world yawns
she plaits her hair into two and ties the two into one with a vibrant hair elastic
she sways as she walks, her silhouette rising in distance
Despite occasional bouts of wheezing, she is always in for road trips
and loves to have beer with meat of course,
she is too excited to sleep before the journey
she jokes around and laughs openly, infectiously
she knows how to be cute and endearing in her age
Unlike elderly Buddhists who recite mantras around the clock
and find peace in it
Aae is rather happy being herself
I see her eyes following people, wanting to socialize, live and laugh.
Notwithstanding the social standards for an old lady,
I see her breaking biases, redefining them
I see in my Aae a new-age woman living life ahead of time.
II
My Aae is like a flower in full bloom,
few fallen petals on the ground
yet blossoming
She is eighty and in full bloom
though she often
reminds herself of her withered leaves and
the cycle of life
She hands me a list of new clothes she wants to own
but stops halfway
reminded of her ageing and
wrinkled body, knowing she is not getting any younger
She looks at the other side and begins to count her thengwa / rosary
trying her best to act according to her age
only to find herself in the end, framed before the full-bloom-fading dahlia,
wearing the dress she bought yesterday
(Editor’s note: Ngarong Aae, or Ayi, translates to ‘My grandmother’ in the poet’s ancestral language, Khampa-ke.)
Atal Pamo is an aspiring visual artist from Lower Pemako, in the Upper Siang region of Arunachal Pradesh. She is fascinated with the art of expression through different mediums. Her work delves into her emotional journey, exploring themes such as identity, home, love, internalized trauma, inherited memories and womanhood, among others.
© 2021 Yeshe | A Journal of Tibetan Literature, Arts and Humanities